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Zalapa in his workshop preparing
to attach the back to a Master Guitar |
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The town of Paracho, State of Michoacan, has
for centuries been the center of classical guitar-making in
Mexico. Fructuoso Zalapa Luna inherited the tradition by being born into a
family of guitar-makers. Zalapa began his career guitar-making career when
he was 10 years old and has continued his art for over 30 years. During
his
apprenticeship Zalapa built over 400 guitars of different
types. Since then he has completed over 600 fine concert classical
guitars.
In Mexico the guitar is esteemed as a
special medium for artistic expression both in sound and in
esthetics. Because of the guitars importance to Mexico, annually the Mexican National Classical Guitar-Makers Competition is
held in Paracho and is open to competitors from throughout Mexico. Of the
times he has entered the competition since 1990, Zalapa has won
First Prize four times, most recently in 2002. Also, in 1993 Zalapa was
awarded first prize for his guitar-making by FONART, the Mexican national
government Agency for the Development of Arts and Handcrafts. The FONART
prize is the most prestigious award for handcrafts in Mexico.
Zalapa has won a number of other awards
for his guitar-making and is recognized as one of the finest guitar-makers
in Mexico and the Americas. He has developed a loyal following in the
U.S.A.
Zalapa's skill and expertise has been
supplemented by studies he undertook with some of the most expert Spanish,
English and American
guitar-makers in the world, including Jose Romanillos, Thomas Humphrey,
Antonio Raya Pardo, Felix Manzanero and Manuel Caceres--studying with some
of them more than once.
From 1985 to 1989 Zalapa studied guitar
performance at the National Music Conservatory in Mexico City. His
combination of talents and experience at guitar construction and
performance give him uncommon insight into what a player wants and needs in a
great concert guitar and how to achieve it.
All of Zalapa's guitars are made from
beautiful, well-aged woods. Zalapa uses simple hand tools almost
exclusively in his guitar-making, recalling the traditional techniques of
Antonio de Torres, the father of the modern classical guitar.
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